Художня інтерпретація проблеми втрачених ілюзій у повісті Миколи Хвильового "Санаторійна зона"
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Дата
2018-03
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Анотація
У статті досліджується проблема еволюції ідейних пріоритетів творчості М. Хвильового, зумовленої впливом трагічних історичних процесів початку ХХ століття. Авторка зосереджує увагу на аналізі образної системи повісті «Санаторійна зона» з метою виявити письменницьку позицію щодо причин психологічної кризи безпосередніх учасників революційних подій у період утрати ідеологічних ілюзій.
The problem of evolution of ideological priorities of the Mykola’s Khvylovy creation, which is caused by the influence of historical processes of the early 20th century, is viewed in this article. The author is focused on the analysis of shaped system of the novel «Sanatorium zone» with a view to identify the writer's position on the causes of psychological crisis of the direct participants in revolutionary events in the period of loss of ideological illusions. The analysis of worldview of individual characters made it possible to conclude that post-evolutionary reality destroyed their representations of the role in building a new society. As a result, several types of «excess people» were appeared. The first includes those, who dreamed about romance of change, about free development of personality, but saw, that people gradually turn into faceless mass, addition to machines. The second type is creative youth, who are incapable of applying themselves in the atmosphere of philistinism and greyness. The third type are people, that not only superfluous, but dangerous, because they get used to blindly fulfill the other people’s commands during the revolution and deliberately don’t want to change position. Each of the representatives of three types couldn’t reach emotional balance and was in a conditional isolation in the new conditions. Characters are united by the thought of death. This reinforces the author's idea about impossibility of harmony between old ideals and reality.
The problem of evolution of ideological priorities of the Mykola’s Khvylovy creation, which is caused by the influence of historical processes of the early 20th century, is viewed in this article. The author is focused on the analysis of shaped system of the novel «Sanatorium zone» with a view to identify the writer's position on the causes of psychological crisis of the direct participants in revolutionary events in the period of loss of ideological illusions. The analysis of worldview of individual characters made it possible to conclude that post-evolutionary reality destroyed their representations of the role in building a new society. As a result, several types of «excess people» were appeared. The first includes those, who dreamed about romance of change, about free development of personality, but saw, that people gradually turn into faceless mass, addition to machines. The second type is creative youth, who are incapable of applying themselves in the atmosphere of philistinism and greyness. The third type are people, that not only superfluous, but dangerous, because they get used to blindly fulfill the other people’s commands during the revolution and deliberately don’t want to change position. Each of the representatives of three types couldn’t reach emotional balance and was in a conditional isolation in the new conditions. Characters are united by the thought of death. This reinforces the author's idea about impossibility of harmony between old ideals and reality.
Опис
Ключові слова
«зайві люди», утрата ілюзій, розрив між дійсністю та ідеалом, зневіра, трагізм, «excess people», loss of the illusions, gap between reality and ideal, disappointment, tragism
Бібліографічний опис
Савченко, З. В. Художня інтерпретація проблеми втрачених ілюзій у повісті Миколи Хвильового «Санаторійна зона» [Текст] / З. В. Савченко // Львівський філологічний часопис : збірник наукових праць. – Львів, 2018. – № 3. – С. 223–228.